by Christine Darla A. Bautista
Catching Fire, the sequel to The Hunger
Games, is a perfect example of a science fiction film. Basically, science
fiction is a classification for works on imaginary, futuristic scenarios involving
science. Beyond amazing the audience with still non-existent technology, sci-fi
films tackle philosophical ideas or critique society through the effects of innovations
on the film’s characters.
Catching Fire was able to catch the
attention of its audience by featuring an innovative scenario: as a Hunger
Games sequel, it still tackles the idea of a dystopia, where the government reiterates
its ferocity by taking children from the rebelling districts and bringing them into
a high-tech arena to fight for survival. This concept is already fantastically futuristic
and sci-fi, but Catching Fire elevates the story by presenting a plot twist. President
Snow calls for the 3rd Quarter Quell, a special Hunger Games with past victors The high-tech arena embodies
science fiction: shaped and working like a clock, the arena has divisions with astounding
but deadly hourly surprises created by man—blood rain, crazy mutant monkeys, force
fields, poisonous fog, giant wave, simulated lightning zone. To top it off, Panem
was already very imaginary as advanced surveillance systems, long hologram
videos, and hovercrafts, were utilized. Even the smallest details, like
clothing, evoked a sci-fi vibe because Katniss’ gown of synthetic fire-creating
fabric has yet to be created.
Beyond mere exhibition of future
technologies, Catching Fire critiques future society. The film
explores and deplores the abuse of technology by institutions.
Although there were clearly several advancements in science, as shown by the
power to manipulate nature in an arena, the technological developments
were negatively correlated to societal progress because technology was used to
hurt the people. As such, Catching Fire asks about future society: Will the
evolution of cutting-edge technology lead to societal regression? If future man
has the knowledge to invent such state-of-the-art technology, will he also hold
the wisdom to use it properly? Nevertheless, can abuse of technology eventually
backfire on its own manipulators? The Mockingjay as an inspiration for
the people is critical because it is an image of the government’s downfall as
caused by its own cruelty (“Historically,” jabberjays were government-created hidden
recording machines that ended up annoying its creators by breeding with mockingbirds.).
Furthermore, the film also critiques the
past and present. On a large scale, it critiques the extent of government’s
desire to pacify the opposition and reiterate that it is above its people
through creating fire. It is a reference to past dictatorships that eventually
failed because futile attempts at instilling fear lead oppressed people to take
up arms against government. It is a reference to current leaders, who enjoy almost
effortlessly wealthy lifestyles, as their people toil tirelessly but remain in
poverty. On a smaller scale, the film critiques human behaviour in survival
scenarios: when faced with death as a consequence, can we resort to killing
others, and can we maintain the personality “masks” of our daily lives?
Ultimately, Catching Fire shows the
failure of technology and science. Although it has greatly improved, it was
used against the lives of the innocent. With this kind of government abuse,
science has failed to fulfill its goal of making life easier for others. As symbolically
shown by Katniss’ arrow destroying the Clock Arena, it is only through taking a
stand on technological abuse can science and society actually progress.
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