Of Butterflies
and Worms:
A Reaction to the Documentary Imelda
by Marc Lorlin Z. Navisa 2013-38337
I am not in
any way amused by the documentary about the steel butterfly that is Imelda Marcos.
How could such a lavish woman have the gall to say she sympathizes with the
poor? That is like saying Adolf Hitler is a Jew.
For one,
she and her late husband were known to have siphoned out a humongous chunk of
our national coffers to ghost accounts in Switzerland, US, and other countries.
For another, her husband’s regime killed more than 3 200 people, tortured 35
000 and incarcerated 70 000 (Juan L. Mercado, 2012).
Surely, she
has to come up with something better than saying she sympathizes with the poor
to convince me.
She said she
pioneered the construction of edifices that were supposed to promote our culture
in the international scene—Manila Film Center to name one. But underneath its
pillars lie the corpses of the laborers buried alive while the center was being
constructed. Now, the Manila Film Center has become nothing but a haunted
derelict.
She said
she had somehow put the Philippines on the map with her shoe collection. If I
were to own that amount of shoes, my conscience would haunt me with pictures of
children in my province going to school without anything to protect their soles
against the ragged surface and blistering heat of the earth. If I were Imelda
Marcos, I would choke at saying I sympathize with the poor. I might not ever become
a billionaire; but surely, I can never be a thief.
However
neutral I tried to be as I watched the documentary, I still just couldn’t grasp
the enthusiasm in the steel butterfly, much her ramblings about beauty. Those
shoes could feed families. I do not care however dazzling she looks in her
shoes, in her platinum bracelets embedded with rubies, or in her designer
shades. That was the money sucked from the veins of the Filipino people, drop
by drop.
She
lavished while the Filipino suffered. An act of parasitism—this is not what a
butterfly does, this is the doing of a worm.
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